
Recently, cult heros of noise and precision The Dillinger Escape Plan released the long anticipated Option Paralisis to both critial and peer acclaim. The bands vocalist Greg Puciato was questioned about the meaning behind and content within the album. I find his opinions and the album a great exapmple of contemporary social commentary. The following is a segment of an interveiw between Shockhound Music and Puciato.
SHOCKHOUND: What does the term Option Paralysis mean to you?
PUCIATO: Technically, it's a term that was coined a few decades ago. It refers to one's tendency, when given a ton of choices, to make none. I think it's a good phrase to sum up not only what's going on in the world, but in many of our personal lives — certainly my personal life at times when we were writing the record. Culturally, it seems very apropos. Right now, there have been some amazing technological feats. Over the past 100 years, we've come much further industrially and technologically than we have in the entire course of human history. However, I feel like, as far as arts and culture are concerned, we may have never been at a lower point. I'm not saying that there's a necessarily inverse relationship, but I think that maybe some of the focus needs to shift back to an enlightened way of thinking where education and art are valued for their intrinsic benefits, and not just as means to a marketing end or to serve as a tie-in to some new product. When we were talking about album titles, Option Paralysis just felt good. It made sense.
SHOCKHOUND: Everything gets filtered through the internet — Twitter, Myspace, Facebook, etc. How many people actually still experience real art without these technological filters?
PUCIATO: That's what it's about! Technology is amazing. I'm not saying that I'd want to discard my phone or the internet, but people haven't learned how to say no. There are so many new things coming out constantly and the novelty aspect is extremely high. The users haven't learned how to restrain themselves, and they don't understand how the consequences of their daily actions affect everything as a whole. If you're a kid, you probably want to eat candy and ice cream for every meal all day and only drink soda. As a kid, you have no real idea as to why that wouldn't be good for you in the large scale, because you can only really see what's in front of your face. I think that's what people are doing now. They don't understand the repercussions of having everything be instantly gratifying or instantly available. It's not good or bad in and of itself. You can't say something that has no living properties is "good" or "bad." It needs to be used in the right way, though. The music industry is a perfect example. Pro Tools is not bad: It's people's inability to say "no" when they're using Pro Tools that is. It's their inability to not correct one vocal which turns into ten vocals, 20 guitar parts and 50 tom hits and destroys all of the soul that would've ever been in their records. It's about being bombarded with options constantly and not being able to filter through the bullshit, so to speak, and cut to the core of it.
Courtesy of Shockhound

